Posts with tag: "Cait Munro"

December 21st, 2016

An Artist’s Life Manifesto: Marina Abramović’s Rules of Life, Solitude, and Silence

 

Abramović writes:

AN ARTIST’S CONDUCT IN HIS LIFE:

An artist should not lie to himself or others
An artist should not steal ideas from other artists
An artist should not compromise for himself or in regards to the art market
An artist should not kill other human beings
An artist should not make himself into an idol…
An artist should avoid falling in love with another artist

AN ARTIST’S RELATION TO SILENCE:

An artist has to understand silence
An artist has to create a space for silence to enter his work
Silence is like an island in the middle of a turbulent ocean

AN ARTIST’S RELATION TO SOLITUDE:

An artist must make time for the long periods of solitude
Solitude is extremely important
Away from home,
Away from the studio,
Away from family,
Away from friends
An artist should stay for long periods of time at waterfalls
An artist should stay for long periods of time at exploding volcanoes
An artist should stay for long periods of time looking at fast-running rivers
An artist should stay for long periods of time looking at the horizon where the ocean and sky meet
An artist should stay for long periods of time looking at the stars in the night sky

During our recent public conversation in San Francisco, Abramović shared three more life-rules she borrowed from her dear friends Lou Reed and Laurie Anderson:

1. Have a good bullshit detector.
2. Fear nothing and no one.
3. Be tender.

Instagram Photos that Offend Women & The Arts
Friday, May 30, 2014
By Cait Munro & Lisa Gizara
Pin It

By Cait MunroFriday, May 30, 2014 for Artnet

 


"Kara Walker‘s colossal, much-discussed work A Subtlety or the Marvelous Sugar Baby, commissioned by Creative Time and currently installed in Brooklyn’s Domino Sugar Refinery, has recently spawned some tasteless Instagram photos from people clearly missing the point of the work. Meant to serve as a commentary on the sugar cane trade, and a cultural critique of slavery and perceptions of black women throughout history, the work is part Sphinx, part racist Mammy stereotype, and is coated in sugar. It features exaggerated features including breasts, a bottom, and a vagina. As Walker told artnet News, “Nudity is a thing, apparently, that people have a problem with; not slavery, or racism, but female bodies, or bottoms.”

And sadly, she is correct. While few appear to have responded to the work with charges of indecency, some visitors have been unable to stop themselves from mocking and sexualizing the work, uploading photos pretending to cup its breasts or tongue its buttocks. This gross behavior has, understandably, struck a nerve with feminists and racial equality activists alike. Yesha Callahan of The Root writes, “History has shown us time and time again how a black woman’s body was (and sometimes still is) objectified. From the days of the slave trade to even having black butts on display in music videos, the black woman’s body seems to easily garner laughs and mockery, even if it’s made out of sugar.”

 

As woman myself-working in the arts for over 30 years I would add that all women's bodies, not just black women's bodies are constantly objectified by a mostly patriarchal and very primitive male mind-set. For the entire article please click below:

 

http://news.artnet.com/art-world/kara-walkers-sugar-sphinx-spawns-offensive-instagram-photos-29989?utm_campaign=artnetnews&utm_source=053014daily&utm_medium=email